Rock & Roll Hall of Fame | ULOG #EIGHTEEN

These were a bunch of drawings I did for a client. Mostly 9 x 12 on Vellum. I think it was for the Rock and Roll Hall of Fame, but it was so long ago, I can't remember for sure.

The client wanted a bunch of drawing of music celebrities. This was back in the days before the internet.  You couldn't just do a search on Google. You had to go down the Fan Photo stores on Melrose, where they would sell 8 x 10 headshots of famous people. You'd go through them like you were shopping for 12" inch record albums on display.  You also had to pay for each photo individually.

I don't know if there's much need for this type of work any more now that kids can just comp up something from an image search.

My hope was that the client would want to pay for illustrations. But that never happened.  A lot of these jobs never got beyond the sketch stage. Sometimes they would hire a better or more famous artist to do the finishes.

These were fun to do and if I am remembering correctly, they paid me well. I'm getting into the mindset that if I want to do a project like this again, I'm going to have to generate one for myself.

Thank you for your support,
@PixelColada

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Bisaya not for me

When I was very young, my parents made the decision to never speak Bisaya to me. Growing up in America, they didn't want me to have to struggle in school, being confused by two languages.

I grew up struggling with how to speak English based on my parent's heavy Filipino accent. And when we visited family, I felt like an outsider because I didn't know or understand Bisaya.

I'm still pretty slow with it. I understand better now than I can speak. But in college it really bothered me. When you leave home, you start to discover who you really are. It bothered me that I felt so disconnected from my heritage. As an art student, I did a few paintings about it. These paintings are from my last trip in 1993.

Preparing Lechon
Preparing Lechon
Preparing Lechon Detail
Preparing Lechon Detail

When I presented these paintings in class to my fellow students, no onereally seemed to care. No one could understand my experience from my point of view. I wasn't a good enough painter back then to express how I felt. But even if I was a better painter, I still don't think any of them would have cared more.

Selfie w/ Jeepney Painting

Now that I'm much older, I don't worry about it so much. That struggle is no longer one that occupies my daily thoughts.

Jeepney w/ Lamp
Jeepney w/ Lamp

My wife understands how I feel. She understands my longing for my culture and she can see how happy I am when family visits us. She's not Filipino, but she does what she can to make me feel like our house has a little bit of back home. She made that lamp for me out of paper. Both of them. Just little things.

My Uncle told me that "Love is finding someone who understands you."

Thanks,
@PixelColada


Asian Cowboy

Here is a trick so you don't waste paint:  Do a small study first. This paining above is slightly bigger than life size.  You can see how small the study is below.

If you do a small study, you can determine what colors you are going to use, what parts should be in shadow and what should be in light.  It basically helps you plan and helps you to encounter your painting problems that you are going to face on a smaller scale. This will save you time and materials.

Doing a small study can help your bigger painting succeed without wasting a lot paint.

Good luck.


SalsaMagic

This is a portrait of a friend of mine.  He taught me a lot of my salsa dancing moves.

When I was dancing with his group, I had gotten below 200lbs. I would like to be this thin again.

I also haven't painted large like this (I think it's 30 x 40in) in a long time.  I also haven't painted in oils in a long time either.

This is pretty close to life size, and I question whether or not I should paint that large.

I think I need to consider the size of paintings in terms of how easy they would be to package and ship.

There was so much I didn't know back then. Still, I learned a lot from this piece, about the things I should and should not do regarding mediums and glazes.

I haven't worked traditionally in a long time.  Most of my work has been digital. I've been wanting to go back to working traditionally.  I might as well since this work isn't for clients.