Oil

Sheff_HotSauce

This is an old piece I did in an Advertising Class in school.  The assignment was to come up with an advertisement for a product.  I chose hot sauce.  Oils and acrylics. I was still trying to get comfortable with my painting process.

There's something about painting with traditional materials that brings risk to the table and makes the project a little more exciting.  Working digitally, is fairly safe and convenient. Painting with actual pigments and brushes is more satisfying, but lacks an UNDO button.  If you make a mistake, you have to paint it out or fix it.

I feel myself being drawn to working traditionally again.


Asian Cowboy

Here is a trick so you don't waste paint:  Do a small study first. This paining above is slightly bigger than life size.  You can see how small the study is below.

If you do a small study, you can determine what colors you are going to use, what parts should be in shadow and what should be in light.  It basically helps you plan and helps you to encounter your painting problems that you are going to face on a smaller scale. This will save you time and materials.

Doing a small study can help your bigger painting succeed without wasting a lot paint.

Good luck.


Caesars Palace

This was  a piece I did for Caesars Palace for a promotional mailer for a Super Bowl party.  It's cropped down from the original.  In the original there was a gladiator facing off against this guy in a 3 point stance like two football players at the line of scrimmage. This part of the painting was my favorite. It was also the last time I painted in oil for quick turnaround jobs.  After this, I switched to painting digitally.

 

 


SalsaMagic

This is a portrait of a friend of mine.  He taught me a lot of my salsa dancing moves.

When I was dancing with his group, I had gotten below 200lbs. I would like to be this thin again.

I also haven't painted large like this (I think it's 30 x 40in) in a long time.  I also haven't painted in oils in a long time either.

This is pretty close to life size, and I question whether or not I should paint that large.

I think I need to consider the size of paintings in terms of how easy they would be to package and ship.

There was so much I didn't know back then. Still, I learned a lot from this piece, about the things I should and should not do regarding mediums and glazes.

I haven't worked traditionally in a long time.  Most of my work has been digital. I've been wanting to go back to working traditionally.  I might as well since this work isn't for clients.