Digital vs. Traditional: My Experience Part 1 | ULOG #TWENTY

Back again with more art.  Sorry I've been away, but I've been busy.

This painting above was a school piece.  It helped me to get my foot in the door with some local ad agencies here in Vegas

This is basically the last of my traditional work before I started going digital.

These medieval paintings were for the Excalibur Casino.  They ended up being comps and the finishes were done by a more famous artist who used mine as the basis of starting his.

I wasn't good at backgrounds and I wanted the freedom to move my image around.  I wasn't very good with Photoshop at this time, but I was able to isolate objects and move them around. They were painted traditionally with physical paint, but I separated them onto layers so that I could move things around.  That's why they feel so "cut out." I comped these in Xara.

The would have hired him to do this preliminary work but he was unavailable. That was why I got the job. I liked being able to create shadows and straight lines in the computer.  

This stuff was still so new to me.  It was hard to transition from painting traditionally into digital painting.

I used filters and effects to help cover up the parts of the painting I didn't finish on time.

This was one I wished that I knew how to paint in Photoshop with layers.  I was learning as I went along.  

I hate painting text because the client always wants to change the words.  It's often better that text is digital when the words aren't yours.

This painting seems awkward until you realize that all the blank white space is for the words.

I realized that I could just paint the parts I wanted to traditionally then cut and paste them digitally into my assignments.  I could just photocopy my approved sketch onto colored paper and start painting on it directly.

I started doing this all the time with my jobs. Doing this became fun for me.

I'm kind of posting this for my students so that they don't get so hung up on their Wacom tablets.  I want them to realize there are a million ways to get things done. The most important one is the one that works reliably.

I also posting this so that my students can see how I slowly transitioned from traditional painting into digital painting.

My next post will be about my "breakthrough" paintings that got me into the mindset of thinking digitally.

Feel free to sign up on Steemit and follow me.  It's free, and upvotes are digital currency.  The most important thing is:

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Thanks Everybody,
@PixelColada

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Frazetta Dark Kingdom | 8:57 Time Lapse Painting | Re-Upload

I'm reuploading this to dLive for my students. I'm testing to see if I can embed dLive videos on my blog. Apparently it works.

I found a painting by Frazetta that I liked and I did a copy of it. I painted it in openCanvas so that I could play back a recording of the painting and speed it up in Premiere.

I'm using a few different tablets for this.

Cheap - Wacom Intuos Pen and Touch(new version)
It's small and good for travel.

Cheap and good - Huion Inspiroy G10T Gen 2
This one is really great and wireless. Also small and good for travel.

Good but pricey - Wacom Intuos Large(old version)
This one works with the Wacom Art Pen which I love to use. When my Cintiq broke, I didn't want to buy another one
because they're so expensive. So I went back to using a tablet.

Razer Tartarus for Quick Keys - Razer Tartarus Chroma V2

Thanks for your support,
@PixelColada


Paintings my Teachers Hated

My teachers hated a lot of the paintings I did in class. These were all models in-class. The women did 20 minute poses and these were fast ass oil paintings. The men were done as 2-h0ur poses.

The reason I was able to these was because I spent the whole day painting these women.  What you're not seeing are the 5 hours of crap paintings that led to these 20 minute lucky paintings.

This one my teacher didn't think I was taking enough risks.

This one was another one where my teacher thought I was playing it safe.

I knew I was playing it safe.  You feel really fake when you do stuff where you know it will probably turn out good. There's no struggle and other people who paint professionally can tell that.

I am going to take a bit of a break from digital and paint more.  I feel the need to bust out some more traditional work. And I think I need to risk the possibility of creating some crappy paintings.

Thanks,
@PixelColada

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